China: Shanghai in a Day, Glass Floors, Jade, Skyscrapers, and Old-World Charm
A June 2017 layover that refused to act like one, Pudong skyscrapers, the Oriental Pearl glass floor, classical gardens, a Confucius hall, street food, and a piece of jade.
June 2, 2017 · 8 min read
On June 2, 2017, I visited Shanghai during a layover from Southeast Asia back to the United States. It was one of those quick-hit travel stops where you know you are only getting a taste of the city, but Shanghai does not do small tastes. It gives you glass towers, temple courtyards, financial symbolism, street food, jade, Disney, and a transparent floor hundreds of feet above the city, just in case jet lag was not already doing enough work.
Shanghai is one of the best cities in the world for seeing the collision of old and new. On one side of the Huangpu River, Pudong rises like a futuristic movie set. On the other, the Bund carries the weight of Shanghai's trading history and financial ambition. In between, you can still find classical gardens, temple courtyards, carved wooden halls, incense smoke, stone pathways, and the quieter rhythm of older China.
My first view of Shanghai was dominated by the skyline: the Oriental Pearl TV Tower, the Shanghai Tower, the Shanghai World Financial Center, and a forest of surrounding skyscrapers. Pudong's Lujiazui district is Shanghai's financial showpiece, and the architecture seems intentionally designed to make you look up until your neck files a formal complaint.
The Oriental Pearl Tower is the unmistakable one, the sci-fi-looking tower with pinkish-red spheres and concrete legs that make it look part communications tower, part spaceship, part 1990s architectural fever dream. Nearby, the taller modern towers create a visual timeline of China's rapid economic rise. The whole scene feels like a city introducing itself by saying, 'Yes, I am aware I am impressive.'
The highlight was going up into the Oriental Pearl Tower, where the skyline becomes something you are not just looking at, you are standing above it.
The glass-floor observation area is one of those experiences that sounds easy until you actually step onto it. Intellectually, you know the engineering is sound. Emotionally, your brain says: 'Interesting theory, but perhaps we should not stand on invisible flooring above Shanghai.'
I was calm in the same way a cat in a bathtub is calm.
Looking down through the glass, the city becomes a pattern of roads, roofs, sidewalks, and tiny moving cars. It is thrilling, slightly irrational, and exactly the kind of thing you do once so you can later claim you were perfectly calm.
Back down on the ground, the Bund Financial Bull offered a very different kind of spectacle. The sculpture is Shanghai's answer to New York's Charging Bull, and it fits perfectly in a city that has long been a commercial powerhouse.
The Bund historically represented trade, banking, and international finance, while Pudong across the river represents modern capital, skyscrapers, and China's economic rise. Standing near the bull, with historic buildings on one side and futuristic towers across the water, you can almost see the city saying: 'Yes, we understand capitalism. We accessorized it with a very large bronze animal.'
What made the stop memorable was not just the skyscrapers. It was the contrast.
After the glass towers, I visited traditional architecture and temple-style spaces filled with curved rooflines, carved wood, stone bridges, courtyards, incense, and classical garden design. The photos capture the richness of older Shanghai: red-painted railings, dark tiled roofs, whitewashed walls, decorative lattice windows, scholar stones, and quiet ponds.
The rock formations were especially striking. Chinese garden design often uses stone not simply as decoration, but as a miniature landscape, mountains, caves, cliffs, and natural forms compressed into a human-scale setting. After Pudong's vertical steel-and-glass ambition, the garden stones felt like Shanghai's older architectural language: nature shaped, framed, and contemplated.
One of the more meaningful cultural stops was the Confucius temple and museum-style visit. Confucius was not just a philosopher in the abstract sense; his ideas shaped Chinese education, ethics, family life, public service, and social order for centuries. Visiting a hall dedicated to him gives you a different perspective on Shanghai beyond commerce and construction.
The interior had a ceremonial feeling: painted beams, hanging plaques, lanterns, a gold-toned Confucius statue, and calligraphy overhead. The plaques and inscriptions reinforce the world Confucius came to symbolize, learning, moral cultivation, respect, and disciplined public life. It was a quieter counterweight to the skyline. Shanghai can show you global finance in the morning and ancient educational philosophy before lunch. That is a pretty efficient layover.
One of my favorite moments was walking through a narrow brick lane. After the giant scale of Pudong, these side streets bring Shanghai back to a human level. Brick walls, arched passages, shaded walkways, and small shops make the city feel textured and lived-in.
A layover stop rarely gives you enough time to understand a city deeply, but it does give you impressions. Shanghai's strongest impression was contrast: massive and intimate, futuristic and old, polished and chaotic, global and unmistakably Chinese.
Shanghai also delivered on food, which is really the only civilized way to survive a long-haul travel day.
The food displays were colorful, varied, and very approachable: skewers, fried items, vegetables, dumpling-like snacks, sweets, and bright plates stacked behind glass. It had the feeling of a place where you point, smile, hope for the best, and usually win.
Authentic Shanghai food is known for slightly sweet, rich flavors and dishes like soup dumplings, braised pork, scallion noodles, pan-fried buns, and freshwater-influenced cuisine. I did not need a white-tablecloth meal to enjoy the city. Sometimes the best travel meal is the one eaten while wandering, slightly tired, completely overstimulated, and thinking: 'I am not entirely sure what this is, but I support it.'
For a souvenir, I chose jade, which felt like the right purchase in China.
Jade has deep cultural significance in Chinese history, associated with beauty, virtue, status, protection, and longevity. It is also one of those souvenirs that feels more permanent than a T-shirt or airport magnet. A piece of jade carries weight, literally and symbolically.
When buying jade, the key is to purchase from a reputable shop, ask questions, and understand that quality can vary widely. Color, translucency, texture, carving, and authenticity all matter. Mine became the physical reminder of the trip: a small object tied to a very big city.
One unexpected modern stop was the Disney flagship store. In a city that already feels like a blend of global commerce and local identity, seeing Disney branding in Shanghai was another reminder of how international the city has become.
It was also a funny contrast: one minute traditional rooflines and temple courtyards, the next minute Lightning McQueen. Shanghai does not ease you through transitions. It just changes channels.
Shanghai was a layover, but it did not feel like filler. It felt like a compressed introduction to one of the world's great cities.
In a single day, I saw the Oriental Pearl Tower, stood on a glass floor above the city, walked through traditional gardens and temple courtyards, visited the Bund Financial Bull, explored a Confucius temple/museum, sampled local food, browsed cultural art and ceramics, and brought home jade as a souvenir.
Shanghai is not a city you finish in a day. It is a city that gives you just enough to make you want to come back, preferably with more time, less jet lag, and maybe a little more courage for the glass floor.

